News Source : https://www.irna.ir/news/85655934/%D9%82%D8%B5%D9%87-%D8%B3%D9%86%DA%AF-%D9%88-%D8%B1%D9%86%D8%AC-%DA%AF%D9%88%D9%87%D8%B1%D9%87%D8%A7%DB%8C%DB%8C-%DA%A9%D9%87-%D8%B1%D9%88%DB%8C-%D8%AF%D8%B3%D8%AA-%D9%85%DB%8C-%D9%85%D8%A7%D9%86%D8%AF
The Tale of Stone and Suffering; Gems That Linger
For over fourteen years, gem carvers in the national gem village have tirelessly been bringing bread from stone with passion and perseverance. This continuous effort in crafting beautiful and unique gems tells a story full of love and hardship. Each piece, like grandmother’s turquoise, grandfather’s red agate, prayer rugs, and shining stones on mantels, are invaluable historical symbols cherished by various generations of Iranians, especially those from Khorasan.
This tale depicts the progress and effort of turning an ordinary stone into an unparalleled gem. When the hard stone reaches the hands of a skilled gem carver, its fate transforms. In various parts of Southern Khorasan, such as the villages of Khor, Tashtab, Bamrud Qaen, and Barjak, people tirelessly use the earth’s mineral resources to produce beautiful gems.
This jewel carver stands out as one of these remarkable artists. Mohammad Mehdi Ahannijan from the village of Khor in Khusf county, with 14 years of experience, states: For years, with great motivation, I walk into the surrounding deserts daily, gathering colorful stones, which I stockpile in my yard. This ongoing effort not only breathes life into stones but also inspires others to join this profession.
In gem carving on carving, Ahannijan is recognized as the first artist to employ this art without having a master and has ventured into sculpture and light gem setting. He states, “With the increase of stone polishing and gem setting, a suitable market is essential. The lack of such a market has forced us to use modern techniques, even without a master.”
The story of stone and suffering continues, as the gem carving industry in Southern Khorasan requires more support in marketing and sales. Industry activists believe that with improved marketing and sales opportunities, they can significantly thrive and create jobs for village youth.
In the end, The Tale of Stone and Suffering; Gems That Linger, exemplifies relentless efforts to preserve and promote traditional arts. This story demonstrates the importance of supporting local artists and creating appropriate markets for the sale of handcrafted gems. With increased support, there is hope that future generations may continue these beautiful arts with passion and diligence, taking the gems of Southern Khorasan to a global level.
The Tale of Stone and Struggle: Gems Left on Hand in the National Gemstone Village
Over fourteen years ago, gemstone artisans in the National Gemstone Village began their relentless pursuit of harvesting and carving the beautiful stones of the region. These continuous efforts laid the foundation for a story of art and history, where each gem serves as a witness to the skill and creativity of the artists. The Tale of Stone and Struggle: Gems Left on Hand reflects not only the natural beauty of the stones but also symbolizes the rich culture and traditions of Iran.
The Efforts and Perseverance of Artists in Creating The Tale of Stone and Struggle: Gems Left on Hand
With great motivation and endurance, gemstone artists have spent many years gathering and carving precious and semi-precious stones. Every gemstone crafted in this village is a reflection of the difficulties and hardships artists endure in transforming raw stones into works of art. The Tale of Stone and Struggle: Gems Left on Hand is a story of resilience and perseverance in the face of economic and technical challenges encountered by these artists.
Market Challenges in The Tale of Stone and Struggle: Gems Left on Hand
Despite the production of beautiful and unique gems, the lack of an appropriate market is one of the biggest challenges faced by gemstone artists. The limited sales opportunities led many produced gems to remain unsold. This issue impacts the income and motivates the artists, requiring comprehensive solutions to develop the sales market and enhance the value of South Khorasan’s handicrafts.
The Success Story of Mohammad Mehdi Ahaninjan in The Tale of Stone and Struggle: Gems Left on Hand
Mohammad Mehdi Ahaninjan, a prominent gemstone artist from the village of Khour, Khusf County, is an example of success in The Tale of Stone and Struggle: Gems Left on Hand. With over 14 years of experience, he has created unique gemstones through innovative techniques and creativity that are not only appreciated locally but also globally. His story inspires other artists to continue on this path and develop the art of gemstone carving.
Innovations in Carving Techniques in The Tale of Stone and Struggle: Gems Left on Hand
Gemstone artists in the National Gemstone Village have significantly enhanced the quality and precision of their stone carvings using modern techniques and advanced tools. These innovations have played a crucial role in creating gems with unique designs and patterns, turning The Tale of Stone and Struggle: Gems Left on Hand into a valuable artwork.
The Need for More Support for The Tale of Stone and Struggle: Gems Left on Hand
Though the gemstone industry in South Khorasan has high potential, it requires more support in financial, technical, and marketing areas. Government support and private investment can help increase production and improve product quality, turning The Tale of Stone and Struggle: Gems Left on Hand into a reputable brand in domestic and international markets.
The Impact of Gemstone Art on Employment in The Tale of Stone and Struggle: Gems Left on Hand
Gemstone carving activities in the National Gemstone Village have played a significant role in creating job opportunities for local youth. The Tale of Stone and Struggle: Gems Left on Hand, as a handicraft industry, has enabled employment and contributed to the economic development of the region. This has not only generated income for families but also preserved and promoted traditional arts.
The Importance of Preserving and Promoting Traditional Arts in The Tale of Stone and Struggle: Gems Left on Hand
Preserving the traditional art of gemstone carving in South Khorasan is essential. The Tale of Stone and Struggle: Gems Left on Hand is not only part of the region’s cultural heritage but also a testament to the skills and creativity of local artists. Elevating these arts through education, exhibitions, and proper promotion can help preserve this valuable heritage.
Strategies for Improving Marketing and Sales in The Tale of Stone and Struggle: Gems Left on Hand
Enhancing marketing strategies is essential to boost sales and reduce the number of unsold gems. Utilizing online platforms, participating in national and international exhibitions, and establishing suitable branding can help expand the market and attract new customers. These initiatives can turn The Tale of Stone and Struggle: Gems Left on Hand into a popular destination for buyers worldwide.
The Impact of The Tale of Stone and Struggle: Gems Left on Hand on Tourism in South Khorasan
The gemstone industry and handmade gem production play a vital role in attracting tourists to South Khorasan. The Tale of Stone and Struggle: Gems Left on Hand can serve as a cultural attraction, drawing tourists to the region and providing a unique experience of local art and culture. This contributes to increased tourism income and enhances the region’s reputation on national and international levels.
Frequently Asked Questions
- How long has gemstone carving been practiced in the National Gemstone Village?
- Artisans in the National Gemstone Village have been engaged in gemstone carving for over 14 years.
- Why do most produced gems remain unsold?
- Lack of a suitable sales market is one of the main reasons.
- What are the characteristics of gems produced by village artists?
- These are precious gems, beloved by Iranians, especially those from Khorasan.
- How long has Mohammad Mehdi Ahaninjan been in the gemstone carving business?
- Mohammad Mehdi Ahaninjan began his gemstone carving work 14 years ago.
- How did Ahaninjan get into sculpture?
- Due to increased polishing and gem cutting without a market, he turned to sculpture without an instructor.
- How do the gemstone artists acquire their stones?
- Aagate stones are gathered from deserts around the village and transformed into valuable jewels in workshops and home studios.
- What is the main issue facing gemstone carving in South Khorasan?
- Lack of market and proper marketing is one of the main issues.
- How many active workshops are there in Khour village?
- Currently, there are 20 to 25 active gemstone carving workshops in Khour village.
- How has Ahaninjan increased the motivation of other villagers?
- His 14-year involvement in gemstone carving has inspired others to take up the profession.
- What support will the deputy minister of handicrafts provide for Ahaninjan?
- At the 37th National Handicrafts Exhibition, accommodation and booths will be provided for Ahaninjan free of charge.
- How can social media aid in selling South Khorasan gems?
- Social media is the best platform for selling South Khorasan handicrafts, and artisans are advised to join reputable sites like “Ba Salaam”.
- How did Ahaninjan learn gemstone carving without an instructor?
- Due to a lack of instructors, he self-taught and gained experience personally in sculpture.
- How do village artists utilize their mineral resources?
- They benefit by extracting precious and semi-precious stones from the region’s mineral resources and transforming them into valuable jewelry.
- Where are gemstone carving products usually sold?
- Products are primarily sold at various exhibitions.
- What inspires Ahaninjan’s product designs?
- He is inspired by the beautiful nature and trees in his courtyard, carving sculptures resembling them.
- What role do agriculture and colorful stone collection play in Ahaninjan’s activities?
- He spends hours collecting colorful stones from deserts surrounding the village to supply his raw materials.
- How does Ahaninjan enjoy his work?
- He enjoys working with natural, colorful stones and spends long hours designing and carving his gems.
